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8 January 1836 – 25 June 1912. Most renowned painters.

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Willem Eversdijck
Allegory on the flourishing of the Dutch fishery after the Second Anglo-Dutch War

ID: 92427

Willem Eversdijck Allegory on the flourishing of the Dutch fishery after the Second Anglo-Dutch War
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Willem Eversdijck Allegory on the flourishing of the Dutch fishery after the Second Anglo-Dutch War


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Willem Eversdijck

the son of Cornelis Eversdijck, flourished at Goes about the year 1660. He was a portrait painter, and several of his portraits were engraved by Houbraken. A picture of Officers and Members of the Company of Archers, called " Edele Voetboog," at Goes, by him, is in the Rotterdam Museum. Cornelis Willemsz Eversdijck, his father, was also a portrait painter of Goes, who died there in 1649. In the Rotterdam Museum are three pictures by him, representing Officers and Members of the Company of Archers, called "Edele Voetboog," at Goes; two of which are dated 1616 and 1624.   Related Paintings of Willem Eversdijck :. | Call to Arms | Fur Traders Descending the Missouri (mk13) | Fjordabat stevner ut Trondheim havn | Bath woman who | Flock of sheep at pasture |
Related Artists:
MIGNON, Abraham
Dutch Baroque Era Painter, 1640-1679 Dutch painter, was born at Frankfurt. His father, a merchant, placed him under the still-life painter Jacob Marrel, by whom he was taken to the Netherlands about 1660. He then worked under Jan Davidszoon de Heem at Utrecht, where in 1675 he married the daughter of the painter Cornelis Willaerts. Sibylle Merian (1647-1717), daughter of the engraver Matthew Merian, became his pupil and achieved distinction as a flower painter. He died at Utrecht. Mignon devoted himself almost exclusively to flowers, fruit, birds and other still-life, though at times he also attempted portraiture. His flower pieces are marked by careful finish and delicate handling. His favourite scheme was to introduce red or white roses in the centre of the canvas and to set the whole group of flowers against a dark background. Nowhere can his work be seen to better advantage than at the Dresden Gallery, which contains fifteen of his paintings, twelve of which are signed. Six of his pictures are at the Louvre, four at the Hermitage, and other examples are to be found at the museums of Amsterdam,
Lorenzo Ghiberti
Italian Early Renaissance Sculptor, 1378-1455
Mariotto Di Cristofano
San Giovanni Valdarno, 1393 - Firenze, 1457






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